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The violin and its family are unique, as no other instrument is as close to the range and timbre of the human voice. This sound is comparable to the 17th century Italian bel canto style, which is the pinnacle of singing. Its characteristic are richness, warmth, softness of timbre, and depth. The Cremonese masters were the closest to reproducing that sound in their instruments.

Their spirits and ideas are alive in Nikolai Tambovsky violins, violas, cellos, basses, and baroque instruments. Performers use them woldwide because they have the intensity and power to fill a concert hall while holding the richness and soul of the bel canto sound.

Join the ranks of professionals who made Tambovsky instruments their choice.

Amanda Rist, Las Cruces Symphony Arkadij Winokurov, Professor of Violin Austria Carol Benson, Albuquerque Symphony Cinthia Piotrowski, Detroit Symphony Igor Polesitsky, Orchestra del Maggio Musicale Florintino LaVonne McDaniel, Suzuki Teachers Association Mark Manzies, New Zealand Symphony Michael Karlsson, Gothenburg Orchestra Miroslava Kotorovich, KREMERata BALTICA With Gidon Kremer Misha Quint, Duquesne University in Pittsburg Philip Santos, San Francisco Symphony Starla Blair, Springfield Symphony Steven Elisha, Topeka Symphony Vicki Hauser, Overland Park Symphony Vladimir Chirkin, Balletorkest (NBO) Nederland Zino Vinnikov, Royal Philharmonic Orchestra